Nymphenburg marks dating

21-Jan-2020 04:44 by 3 Comments

Nymphenburg marks dating

Please email me for more information or other pictures., precious and fragile – for 250 years Nymphenburg’s famous porcelain collections have represented unique charm and individuality, perfectly reflecting the feeling and style of its time.

A super quality porcelain model of a Blue Tit sitting on a branch by the super quality German maker, Nymphenburg.

Every piece is completely handcrafted – from the first mixture of raw material to the last hand painted small flower.

The manufactory holds a fantastic treasure of about 30,000 different designs from all epochs and periods, from Rococo to Empire, from Art nouveau to the 20th century: each piece carefully sculpted by hand, according to its original designs.

It is one of the nicer dogs they made and from the original period.

Marked underneath with the impressed shield mark as well as the incised model number and the artist's name.

This by far not complete list contains links to the homepages of existing manufacturers.

Please hold in mind that some sites may at first load their local setup (like a Czech version for example) and have to be switched to another languages on-site.Also the painter's initials on the back by his butt :) The dog is 9 inches tall.He is in decent condition with chips to his front paws and a larger chip to the fur of his left ear which is not obvious at all.Invented, designed, manufactured and brought to life by the most gifted artists and craftsmen, Nymphenburg porcelain has become the synonym of extraordinary genius and taste.The Nymphenburg manufactory cultivates the old traditions of porcelain production.figures, produced figures of sporting girls and others in contemporary dress Artistic director of the nymphenburg porcelain factory from 1906-1909, and also produced models for the berlin porcelain factory. Pioneer of functionalism whose work influenced other key designers such as, Josef Hoffmann and Adolf Loos. Wagners furniture is distinguished by its lack of ornamentation, its functional quality and the combined use of metal and wood.